Why Sibel, A Turkish Drama is A Must Watch
One of the entries at the 17th Pune International
Film Festival (10th January - 17 th January 2019), in the Global
Cinema Section, was the Turkish drama, Sibel. Set in a secluded village in Turkey’s
Black Sea region, this is the story of Sibel. A 25-year old mute girl, she communicates
through an ancestral whistle language. Rejected by the villagers, she is driven
by a single motive, to hunt down a wolf on the prowl. Its existence has sparked
rumours and fear among the villagers. Killing the wolf is important for her as
she believes it will make the villagers accept her.
Things happen rapidly when she is ambushed by a fugitive
while trying to hunt down the wolf. Sibel takes care of the man, who is hurt
and has nowhere to go. She is oblivious to the fact that he is a wanted
fugitive. He sees her in a completely different light than others. For the
first time perhaps in her life, she feels wanted and cared for and becomes
aware of her sexuality. Things take a downturn when suspicions about her
liaison with the fugitive are expressed by the local police to her father, the
village chief. Her father and her spiteful sister are ashamed of her. But her
spirit is undying. Her self-esteem is not easily shattered. That, you feel is
the core of the entire story. The climax involves the whole talk about her
involvement in suspicious activities dying down.
Sibel literally transports you into another world. It
introduces you to that aspect of Turkish culture that hardly any of us know. The
pace of the film, the lead actor, Damla Sönme, is fantastic. Her expressions
are palpable. There are times when you can strongly feel Sibel’s helplessness rising
from her inability to talk, through her gestures and expressions. One scene particularly
stands out when she goes to the fugitive’s hideout and he is gone. Her pain
when she can’t find him makes her want to howl and scream, but she can’t. Her
expressions in that scene are simply indescribable. On the flipside, you think
what is the reason for the villagers to reject her. That said, the supporting cast
makes a mark too. The fugitive, played by Erkan Kolçak Köstendil has played the
part beautifully, with its nuances and predictability. Further, the camerawork
is great, especially in the scenes where the lead wanders in the forest. Directors
Guillaume Giovanetti, Çağla Zencirci have brought about the strength of Sibel’s
character beautifully. The background music seamlessly merges with the story.
It doesn’t come as a surprise that this film has won a number of awards at
numerous film festivals across the globe. By the time the end credits start rolling
on the screen, you can’t stop feeling inspired and amazed. You also feel that
if all women were like her, then there would perhaps be no need for
chest-beating discussions about women empowerment.
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